| 
		
		MightyGanesha.com
	 TheDivaReview.com 
  
 
 
 
 
 
 
 
 
 
    |           
		 Poor 
		Bernie Rubens, as if being the most-ignored member of his family wasn’t 
		difficult enough, the bespectacled, Jewish 12 year-old now has to 
		compete for attention on the biggest day of his young life with the 
		biggest thing to happen to British sports since beer. Sixty Six 
		recounts the (mis-)adventures of a geeky, primary school lad 
		during that tumultuous year. Bernie feels like an outsider in every 
		sense of the word: His OCD-plagued father is too hemmed-in by his 
		condition and busy running the family grocery store to give much time to 
		anyone. His mother’s every spare moment is spent keeping after Bernie’s 
		brash, boisterous older brother – the same brother who torments the meek 
		boy for such unforgivable infractions as walking on an unsanctioned side 
		of their shared bedroom rug. Even Bernie’s school clique of nerds and 
		misfits is mystified by what exactly it means that their friend is 
		Jewish. All this invisibility is going to change for Bernie because as 
		he is lectured by his rabbi, on the day of his bar mitzvah everyone 
		gathered will see the overlooked boy become a man. Well, the temptation 
		to reveal this amazing metamorphosis to all those who’ve discounted 
		Bernie in the past is too great and he intends to seize his special day 
		by the horns. Bernie plans an all-star, no-holds-barred celebration in 
		fancy hotel attended by the most celebrated Semitic personalities in 
		London. Bernie’s handwritten invitations to pop singer Frankie Vaughn 
		and the famously infamous Brothers Kray will surely guarantee their 
		arrival. Bernie’s planning makes him happier than he’s ever been and all 
		seems to be going well until the impossible occurs. The much maligned 
		English football team somehow makes it into the playoffs. Bernie’s joy 
		transforms into a heated obsession as he wills the team to lose so the 
		entire country won’t be swallowed up in footie nationalism and someone 
		will actually attend his imperative celebration. His mother refuses to 
		move the date of the bar mitzvah and no one takes the boy’s anxiety 
		seriously since the English team has never made it past the first round 
		of playoffs. Between his worry about his bar mitzvah, the football World 
		Cup and his family’s financial woes, Bernie is one twelve-year old with 
		a lot of weight on his small shoulders. Sixty Six 
		is a charming, “true-ish” story of its director Paul Weiland’s own 
		experiences growing up in mid-1960’s North London. During my interview 
		with Weiland, he related that many of the things onscreen; Bernie 
		feeling slightly apart from his friends because of his exotic (re: 
		non-C of E) religion, 
		his father’s OCD, and both parents’ off-handed, neglectful treatment of 
		Bernie had its seeds in reality with a healthy dose of cinematic 
		license. There is a wonderful blend of humour along with the pathos, so 
		while you feel badly for the maligned Bernie, the film doesn’t become 
		maudlin. Overly-sticky at the slightly syrupy end perhaps (- Notting 
		Hill schmaltz-meister Richard Curtis is alleged to have been involved 
		with the writing, after all), but it doesn’t detract much from the 
		heartfelt laughs and thoughtfulness of the previous eighty minutes. 
		Weiland also has a dedicated cast at his disposal, each finding the 
		heart in their respective characters and walking a fine line between 
		honest, nuanced portrayals and pastiche. Eddie Marsan and Helena Bonham 
		Carter as Bernie’s thoughtless parents have the unenviable task of 
		keeping this mother and father whose youngest son is an afterthought, 
		from appearing to be heartless monsters. Marsan also has to juggle that 
		aspect of Manny Rubens with Manny’s OCD-borne quirks and natural 
		eccentricities, some of which prove catastrophic to the family. The sad 
		hangdog eyes in Marsan’s oversized head doing most of the acting for 
		him, he avoids sweeping into broad caricature, but retains all the 
		comedy in the script. Young Gregg Sulkin in his acting debut is all big 
		glasses and wicked overbite as our young hero. Sulkin has a natural 
		charisma as the continually disappointed tweenager and handles both the 
		comedic and the sadder moments with a lovely touch without becoming 
		precocious. One notable scene gives Bernie a heartbreaking speech where 
		he at last addresses all the grievances done to him by friends family 
		and the English football team; the sequence is all the more poignant as 
		the camera pulls back from Bernie’s sad face and shows he’s delivering 
		his litany to no one but the four walls of his bedroom.  Even that 
		melancholy moment is tempered nicely with laughs as his brother turns up 
		once again to shoo Bernie off his precious rug, bar mitzvah or no. Released in 
		England in 2006, Sixty Six’s portrayal of a Jewish family in late 
		twentieth-century London lovingly examines both their similarities and 
		distinctions with the Gentile world around them while allowing the 
		viewer to find themselves within its four-eyed, adorably geeky hero. 
		Sixty Six’s release in the US contends with the summer’s blockbusters, 
		but that shouldn’t stop anyone from taking a look at this very funny, 
		touching and sweet film.   ~ Mighty 
		Ganesha July 30th, 
		2008     
		© 2006-2022 The Diva Review.com | 
		  
		  
		Photos 
		(Courtesy of  First 
		Independent Pictures) 
		 
 
		  
		  |  |