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Actor Kim Yoon-seok is one of the most recognisable figures in South Korean cinema.  His deep, resonating voice and imposing screen presence has mesmerised audiences in films like THE YELLOW SEA, TAZZA; THE HIGH ROLLERS, THE THIEVES, HWAYI: A MONSTER BOY, HAEMOO, and THE FORTRESS.

At the New York Asian Film Festival to receive this yearís Star Asia award, Kim spoke with LMD about the passion and real-life experiences that compelled him to star in Director Jang Joon-hwanís historical epic, 1987: WHEN THE DAY COMES.

Dig it!



Kim Yoon-seok


The Lady Miz Diva:  How do you feel receiving Star Asia award before the New York audience?

Kim Yoon-seok:  Definitely, I would say Iím so grateful to be receiving this award.  I will confess that the word ďstar,Ē I am not very accustomed to that word, but I do believe it was because of the great success of 1987: WHEN THE DAY COMES, so, I am very grateful.


LMD:  1987: WHEN THE DAY COMES is screening here.  Please talk about your involvement in the film.  How did you become attached to it?

KYs:  Director Jang Joon-hwan, heís one of my favorite directors.  We happen to be very close, and Iíve always been curious about what he will be working on next.  So, weíve been very naturally having many conversations about the film.  So, I think in the casting process, as well as when he was writing the screenplay, we were just naturally talking a lot about the film.


LMD:  So, the film has been in planning for quite a long time?

KYs:  About three years.


LMD:  As someone who did not know about those events, Iím curious what it was like for people who actually went through those times.  Without getting too personal, would you say the representation of that period in the film fit your recollections?

KYs:  In the year of 1987, I was actually a college student.  At the time, I was actually involved in my college drama club, and because there were so many demonstrations going on in the city at the time, the schools were constantly being closed down.  Tear gas was a common occurrence, everywhere.

Ninety percent of this film, it was really based on historical fact, and as me, myself, I had been actually experiencing that in the year 1987.  So, I also feel that this is really historically accurate.


LMD:  Actors take roles for many reasons.  Was the historical and political message of 1987 part of why you wanted to join?

KYs:  So, this June Democracy Movement, when we look back on it, it really is a miraculous movement in that we had achieved direct elections, but we have forgotten about that in the course of thirty years, or so.  And when you think about it, weíre the only country that has achieved direct elections in such a short amount of time. 

I think the trigger of this whole movement, it wasnít just a small section of people in the country; it was everyone in society.  From religious organisations, to marketplace people, students; it was actually a very titular, defining historical moment, I believe. 

I feel like this should be a message, that we shouldnít forget the power that we have as citizens to overthrow anything that is unjust, anything that is oppressive, and to really achieve freedom that human beings deserve.  That is really what the message is of 1987.


LMD:  Another film of yours that was released in the US last year was THE FORTRESS, which was an examination of the futility of war through a historical backdrop.  Between 1987 and THE FORTRESS, do you find yourself leaning toward conveying this type of message in your performances?  I wonder if the more warlike way the world is turning has an effect on your choices?

KYs:  Itís interesting that you mention that.  Last year in Korea, there were a lot of films that were released that pertained to themes of war and such, and I think thatís very uncanny, because at the time, we were going through the impeachment of President Park, so, I think that was sort of lodged in the collective consciousness of the people, as well. 

Definitely, one hundred percent, I am a person that definitely advocates for peace.  But like I just said, I do very much believe that when society is going in the wrong direction, we do need to preserve a power to say no, and to rise up against oppressive governments or systems.


LMD:  HAEMOO premiered at Lincoln Center, and Director Shim Sung-bo and Director Bong Joon-ho attended. I went up to Bong after the film, raving about ďthat manĒ who was ďlike the Korean Robert Shaw!Ē 

All that to say there is an intensity you have as an actor, that I have rarely seen anywhere.  It makes me wonder about your process.  You seem like a lovely man, but you do some awful things on screen.  Are you the type of actor who has to immerse himself in the character, or can you walk away from it at the end of the day?

KYs:  I love Robert Shaw, too.  He played that German officer in BATTLE OF THE BULGE.  I think he had a great character that Spielberg also liked, and he had a very interesting quality to him.  But to answer your question, I donít really have much stress about leaving the character on set, because I feel like for me, my process is Iím able to do away with stress in my real life through my acting. {Laughs}

So, when Iím acting, itís actually very therapeutic for me, because Iím dealing with my stress.  So, yes, I very happily go back home to my daughter. {Laughs}


LMD:  Because some of your characters are so dark, do you try to find something humanising in them?

KYs:  Of course, as you know, Director Jang has worked with me twice on these villainous characters {HWAYI: A MONSTER BOY and 1987: WHEN THE DAY COMES}.  I do feel that playing villainous characters does present a challenge in a way, because you really have to explore the shadow side of your nature.  I think that itís two sides of the coin; we have a light side, and we have a dark side.  That is the inevitable destiny of being human.  But I do feel that we are able to really see the real worth of the light when really try to explore what is in the dark, and what is in the shadows. 

So, I feel that is why Iím also very attracted to these characters, because they are imaginary.  They are not real.  If I were to really do that in real life -- that would be horrendous. {Laughs} But Iím able to explore it in the imaginary world, which makes it very enticing.


LMD:  What is the perfect direction scenario for the great Kim Yoon-seok?  Do you prefer to be strictly directed, or are you someone who likes to collaborate to create the character?

KYs:  I really like to work intimately with my directors.  I like to talk with them a lot about my characters.  That is the style that I like.


LMD:  You came from the stage and made your first appearance in a feature film in 1994, which some might feel is kind of late to begin a movie career.  Why did you wait to take the leap into cinema?  Was it due to simply not wanting to leave the theatre?

KYs:  Thereís no particular reason why.  I definitely had a great love for the stage, as I do now, as well, but that wasnít the main reason why I started delving into TV and film, later on.  Mostly in Korea, people give you a proposition of wanting to cast you in film or TV, and for me that came a little late in my life, so thatís how it happened.


LMD:  I understand the stage has inspired you to take your first step as a director.  Can you please tell us about the upcoming film weíre hearing about called UNDERAGE?

KYs:  So, just to clarify, UNDERAGE is not an officially produced play.  It was actually a workshop production which I was able to see, and I wanted to direct that into a film.  Because it hasnít been released, I canít talk too much about it, but I will tell you a little bit about whatís about.

So, the central idea surrounding this film is, does age actually determine whether or not you are an adult?  We have fixed notions -- you have to be over 19, or over 20 to be an adult, but is that really the defining standard of determining adulthood?


LMD:  Youíve been in historical melodramas, crime movies, thrillers, fantasy films, supernatural movies, comedies.  Is there a genre that you havenít explored as an actor that you would like to?

KYs:  So, I think Iíll talk more in terms of genre.  I would love to be in a film kind of like SAVE THE GREEN PLANET by Director Jang, but in an even more eccentric and funny way.  Something that takes me to the next level.  I would love to be in a film like that.  Director Jang in SAVE THE GREEN PLANET, he literally bombed the whole planet and kills everyone on it, so next time, itís gonna be an even bigger scale, so heíll kill everyone in the whole universe. {Laughs}


~ The Lady Miz Diva

July 7th, 2018


Click Here to Read our Exclusive Interview with 1987: WHEN THE DAY COMES, Director JANG JOON-HWAN

Click Here to read our Movie Review of 1987: WHEN THE DAY COMES


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