|     
		 Occasionally, 
		our humble little shrine is blessed with endowments from other deities. 
		Sometimes those benefactions are wonderful bundles of joy and sometimes 
		they are the equivalent of the red and green sweater your Auntie Gin 
		gave you last Christmas with the giant snowflake across the front. Here, my dears, I would like to tell 
		you of the former; a tasty little lagniappe from the clouds above San 
		Francisco. Into our keeping fell a round disc of mystery and intrigue 
		featuring the first four episodes of an anime series called Death Note. 
		  We sat down with our bowl of Orville 
		and were sucked in from the menu page onwards. On a plain black and 
		white background, beneath the Death Note logo the four episode titles 
		were written in a sketchy white font: 1: Rebirth, 2: Confrontation, 3: 
		Dealings, 4: Pursuit. They turned blood red against the stark 
		monochromes when I made my selection. Creepy. Giving it due 
		consideration, I decided to start with Episode 1, thereafter was I 
		engrossed in a world of Shinigami, stationery, high school students, 
		serial killers, secret police, and extreme delusions of grandeur.    The down low on Death Note goes like 
		this; boredom is a bad thing, especially if you’re a Shinigami, a God 
		who claims life and death over us lowly humans. One such fella feels the 
		doldrums whilst perched for eternity in the vast, ugly wastes of the 
		underworld. We meet Ryuk, rail thin, black clad, raven-winged with 
		yellow bug eyes; he’s like a surrealist vision of what Tommy Lee would 
		look like had he joined Kiss instead of the Crüe, and got his head 
		squished in a printing press (- for kicks). Ryuk decides to amp 
		up his fun quotient by tossing his little black book over into the world 
		of the living. Said black book, simply called the Death Note, gives the 
		one holding it the power of life and death; if someone’s name is written 
		on a page, they will cease to be inside of 40 seconds.  The tome of 
		godlike omnipotence falls into the hands of the fetching Light Yagami, 
		high school student of the first brass. Light is experiencing a little 
		ennui of his own what with crime in Japan being reported every day and 
		his life an unending series of day school and prep school, and he reads 
		the book with handy how-to instructions with perfectly sensible 
		disbelief. But curiosity gets the better of him and he scribbles the 
		name of a couple of ne’er do wells and after some evidence of a 
		homicidal stripe is convinced that what he’s got is the real thing. 
		Those first murders brings Ryuk back into the picture who then tags 
		along with Light and tosses him small tidbits of information on the 
		Death Note when it occurs to him, almost always too little too late.   Light takes to the ownership of the 
		book of death like a duck to water and soon sees it as his right to 
		punish evildoers. Set up with an alter ego called Kira (- Killer, 
		y’all), as a god to be feared and loved. With the newly protected 
		Tokyo populace, this goes over like a ton of bricks, with local law 
		enforcement (- of which Light’s Da is a high-ranking detective) 
		not so much. In their frustration at someone possibly killing the 
		criminals before they get a chance to, the police turn to a mysterious 
		problem solver, completely anonymous and disguised but for a single 
		letter “L”, this forensics genius has already taken a deep interest in 
		the case and uses some extreme tactics to smoke out Kira’s location and 
		discern his next move. Once alerted to the fact that Kira now has a 
		stalker, Light employs his super smarts of his own to suss out L’s 
		identity (- you need the name and the likeness of your intended 
		murderee for the Death Note to work and Light has neither). Death 
		Note is shoring up to be a battle of wits between these two superior 
		intellects, each one-upping the other in their cat and mouse game. Light 
		needs L’s name in his book before L brings Light/Kira in front of a 
		firing squad.  Colour me sold. I really enjoyed the 
		first three episodes and thought they were pretty flawless, each one 
		adding another layer of intrigue to the story. The fourth episode 
		dragged a little bit and took the focus off the tightening bind between 
		Light/Kira and L, but it still was engrossing because we see how Light’s 
		power has started to corrupt him, and the lengths he will go to in order 
		to protect his secret. We haven't learned much about L yet but I can’t 
		wait to find out more. Light’s total embrace of godhead is compelling; 
		his arrogance and sense of entitlement are not the stuff of a 
		megalomaniac, but of an arrogant, pampered teenager. When told by Ryuk 
		that he wasn’t chosen specifically to own the Death Note - that it just 
		fell to whoever wanted to pick it up - Light has an offended hissy at 
		the thought that he isn’t as special as he imagines, and refuses to 
		believe Ryuk. Light doesn’t understand the reality of the consequences 
		behind jotting down names in the Death Note to the victims or himself, 
		because despite his astronomical IQ, he’s just a kid. His fall down the 
		rabbit hole as he becomes more and more enmeshed in what he feels is his 
		duty dispatching the bad guys of the world is going to be an interesting 
		ride.  Production wise, Death Note is 
		brought to us by the good folks at Madhouse (- who also brought us 
		the wonderful 
		Paprika, CardCaptor Sakura, X, Vampire Hunter D: 
		Bloodlust, and my beloved Tokyo Godfathers) and the art is 
		wonderful. Many frames per second, fluid character movement and great 
		character design. I enjoy the palettes used to represent Light and L, 
		Light is all mediums browns and beiges - a mutable chameleon, and L is a 
		shock of black hair and pale, white skin under a white shirt. L’s 
		symbol, which pops up on computer monitors when he addresses the police 
		force from his hidden location, is a stark Blackletter-font “L” against 
		a white background. Both are designed with the requisite pretty that an 
		anime series need to bring in that elusive Double X demo. Once you clap 
		eyes on the Shinigami, Ryuk, you won’t be able to forget him (- try 
		as you might) he weighs the perfect balance between comic and fright 
		and as a character bring welcome levity to proceedings that can get 
		quite grim – we are watching a show about a well-meaning mass murderer, 
		after all.   Our San Fran deities have also sent 
		word that Cartoon Network will be running Death Note starting October 20th 
		at midnight on Adult Swim. No clue if they will run a dub version or the 
		original (- and always preferable) Japanese with English 
		subtitles. Either way, I’m hooked, so I’ll certainly be watching.   ~ Mighty Ganesha Sept. 30th 2007   
			
				| Update - Oct 8, 2007 - Hey 
				Girls and Boys, check our news page,
				
				...and Nonsense, for info about the live action 
				version of Death Note, starring
				
				Kenichi 
				Matsuyama from Linda Linda 
				Linda, and 
				
				Tatsuya 
				Fujiwara from Battle Royale. 
				
				
				 
				
				Or, click on the Death Note logo!  |          
				
				© 2006-2022 The Diva Review.com |